Horror amount taken for granted by the National Theatre tickets

world tabloid

17th February 2013

The National Theatre of Robert Alföldi's performances around the scalper has also attracted the attention of: ten-fold items are sold at the success of his shows. Thirty-six thousand forints can be even spent for a ticket.

A kind of disaster tourism is developed around the National Theatre, after it turned out that the beginning of July Vidnyánszky Attila replaced in the Robert Alföldi theater is headed. Together with actors leaving the Great Plains of presentation is certainly more they take the show, and this resulted in a big panic among the theater lovers to literally Theater was the storming.

Although the performances of each person limited the number of tickets I can buy to make sure that. Resellers buy tickets in bulk, but the scalper immediately struck the possibility of making the Black market trading was net of the public.

Mr Robert and Stohl's play the Angels in America (Photo: MTI)

Robert Alföldi's Our country last week's series of programs on a guest talking Judit Csáki's  Bálint House stage. Among other things he also said a lot of interest in their performance to each auction pages are, who the Angels in America piece of thirty-six thousand, for the Uri-muri twelve, and for the seagull a minimum of twenty thousand guilders are willing to pay.

You should know that these pieces are truly star-parades, they play such artists as Dorottya Udvaros, Juli Básti, János Kulka, András Stohl. - Indeed, we learned that this phenomenon exists - began Orsolya Gálos, communications director of the National Theatre. - It goes without saying that it is not selling at the National Theatre in this way the tickets, the ticket price because we, the ticket office or online vendor of performances - Gálos he added.

Source

Each week war!

- Winston -

18th february 2013

Attila Vidnyánszky window blinds.

Vidnyánszky's another gem fell more interested in the subject in front of days. The current Debrecen, Budapest theater director but soon usual hackneyed style of the continued struggle of the liberals started kultúrsátán counter.

Our hero is not a man of words, but likes to think of himself. It has long been won

appointed director of the National Theatre, but still can not stop Robert Alföldi fucking. (Even when you are not, which is probably not even intend to. Collegiality of the break Hungarian.) But the yawning voiced clichés (sacred blabla) next time a shockingly nefarious tricks are deployed. The latest megnyilvánulásról dictionary parser reads the chronicle:

However, Attila Vidnyánszky stressed paradigm shift comes with a as part of a very large National Theatre would like to create. "The a national church, spiritual, sacred space, born from the soul of the nation "- future leader of the theater said, adding that the National Theatre, "the built and kept alive the idea of right, the other kind of thoughts we saw what he did to her."

Attila Vidnyánszky

The first thought is nonsensical ("large" National Theatre), the paradigma change 'lózung' even have to smile. Mr Alföldi liberal attempt theatrical world weighed against its conservative ideology, but they are just empty phrases paper. Where the dominant pattern in the arts due to the nature of the freedom of millions of about the possibility of, already doomed to fail in the driver, who was a paradigm explanation of the infinite space of their own narrow dead end. (György Fekete is also his destiny will be, once home to the cultural life of eighty-percent cut. He seriously about. Even turns a blind eye too, so we will not see his face when he meets a wall. See also Dörner George "cozy" theaters. Among friends can be good yell at a blind window.)

Lowland non-political lines led to the National Theatre. This is often underlined words and reality stood. Vidnyánszky - the initial slack Following protests - admittedly it does now. Thus, in this form is correct about the change. Non-political party as an ideological teátrumból National Theatre of promise. Name of the institution of the theater it is practically irrelevant. Dogma paradigm. It is also cool.

Secretary Zoltán Balog manageability

However, the last sentence is concerned, it is still Vidnyánszky politically blind, fanatics and road rollers are revolting habit of knowing. From degrading in the extreme to Note begins to become clear what role for himself. Hadvezérit who words under the guise of art agyonmisztifikált bunker built for himself. War began every minute, and now that I won, the loser gyalázva explains, "success". (There's what, if you think about the way to victory.) Is now not only provocative sentence the profession is divided into two parts. As chief of the country, he is the theatrical medium (Including everyone on stage and auditorium) splitting: target species and bad. The kept alive the idea right? Where you live, where the man lived? What planet? What age? Where does the courage to ráturházzon shared our table? How can you be so thick in the taxpayers' money are treated skin on your face?

"... The other kind of thought we saw what he did to it" - mutters sullenly. Really. What? Perhaps enjoy theater, sacred bullshit without. But what is equally Note: You can also see what you did not do. I do not how politics run amok. Non-stained turulnyálba say. Not insulting anyone. I do not bluff. I do not want to church to do theater. I do not want to get a faithful pártvalláshoz but attracted an audience theaters. (Church and Church of the huge difference.) Not hõzöngött. Art concept with masked voices trend is not stabbed knife in the already bleeding from a thousand wounds in society. Not be humiliated. I do not spit in the image other. Neither victory before or after. And most importantly: do not do what the the apparatus of the present power and enjoy doing: not the petty grievance motivated by revenge to fulfill.

The moment when a man is in the right wing political culture appropriated Theater was on, it ceases to be a National Theatre. Own shouting, but it is more more. Stupidity, selfishness and hatred hálószaggatója. And this man's I've given some leadership power. This man preaches nation. He embodies the Hungarian theater arts in the summer.

Cheers, Herr Direktor! Each week war!

Source

"The problem will compliment" - According to Alföldi there will be Mephisto

1st February 2013

Robert Alföldi does not allow: successor against the wishes do you advertised are watching and will continue with plans to introduce Mephisto in May. The outgoing director of the National Theatre also talked about this in the ATV.

The question is, what's on the National management, Robert Alföldi said: "There are many good acts to the management, mainly associated with it, that the people fairly and normally cope with what you do, that you planned, from how much has been achieved.In addition, associated with very great success. course of the scandal, as the National Theatre, a very important institution, is really a spiritual workshop was, even if it's someone' s taste is not too accurate determination "- said Mr Robert, who ATV Start's repertoire Attila Vidnyánszky statement also responded that the National Theatre is a liberal audience favorite.

"I'm head of an art institution, not a politician. I do not watch it due to our viewers in the political orientation, so I do not understand this sentence. Of course, anyone who wants a new way to lead the institution has the right to an opinion on the work taking place there, but do not think it is the audience rating. I can not with labels and tags for what to do with an art institution "- said Robert Alföldi.

Attila Vidnyánszky told the MTI: "We will also be expected to present a professional troupe members a range of belief that superior talent. But you may be excluded from national, the industry will be to price them." In this context, said Robert Alföldi, not his job to evaluate claims of Vidnyánszky. "I do not think it is in communication, but his job is to do that. (...) I talked very little in the previous five years, the management team, I talked about what I want to do" - said the director. The idea that Vidnyánszky "to have", "him against the" elected, noted: "I do not fight. Culture I do not make the fight., I'm doing my job."

Robert Alföldi launched the program, as well as each year passes the spectators, her ticket was purchased, it is presented in the Mephisto, although Vidnyánszky asked not to bring color. "I do not think it is normal for people to discuss with each other in private, or six privately and prior to contracting, the press turn. Akceptálható Vidnyánszky request, but it is also acceptable that in June the first I'm in the institution '-' said the manager, who all viewers thanked the by showing interest in theater, and also spoke about convinced that the audience of the theater wondering, is not demonstrated, by storm in the ticket price.

RObert Alföldi also reminded the administration of the late Tamás Jordán is only a demonstration left the theater (directed by Janos Szasz would have three sisters), but this had nothing to do with the management switch. The question of whether current political considerations lead when said response units in the past five years, every performance was 'crosstalk', as reflected societal problems. "It's about how an artist is mixed with politics, I think there is nothing to talk. 'Actual politization' But it's not, but in response to the age in which we live, where we talk about why Vidnyánszky does not talk to Verebes, or why I do not talk to SZilveszter Ókovács (Szilveszter Ókovács ATV was a guest on the show), "- said Robert Alföldi.

The presenter reminded Imre Kerényi statement that "the compliment here to get a theater for Alföldi". "The teacher will be a problem for his compliment, I have to say" - responded Robert Alföldi, who told him not to tender for the theater and thought it was not the time to create the opportunity for them to continue.

Source

Robert Alföldi: Kerényi will have problem with rusty compliment

1 st February 2013

He will not get a theater in Hungary, which has the simple reason that it does not apply a post of head of institution or, where there is a working - including about Mr. Robert's speaking ATV Start Plus Robert's repertoire on Friday morning. Accordance with the plans coming years, both at home and abroad will be working.

"I can not leave here, I live here, I know, from the and is, with all its beauty and anguish "- said Robert Alföldi Outgoing director of the National Theatre in June ATV Start Plus's show.

The theater expert added: "A lot of offer and got a lot of work from home, Europe and overseas as well. "I think that in the next three or four years I will discuss I will travel to and from in the world, and I'm going to work here at home. "

It was a response to Imre Kerenyi a week ago: "Here the compliment to put Robert Alföldi

in a theater, "he said," the teacher will be a problem for his compliment. "" I'm not going to get a theater. There is a very simple reason. It does not apply to a place where he is working, and working Society is. Just having a theater, a place I will not be destroy On the other hand, I grew up there, and have a very special relationship with the Vígszínház "- explained Actor-director.

Fotó: Túry Gergely

With regard to his office Vidnyánszky Attila the People's Word in an interview also speaking, do not want to be scheduled for the end of the season Mephisto born, he said, it is not should be publicly discussed. "Do not go into this. I do not think so elegant that when people negotiate each other in private, or six privately, before they Agreement are taken, a party starts the press. "

Robert Alföldi also talked about this in the interview: National Theatre in recent years, a significant intellectual workshop was the Hungarian culture, and he thinks it is natural that there will be a big success scandals as well.

"Anyone can go through the last few ten years, a hundred years of history, and that during the Hungarian National What do theater directors were on their heads, it is roughly cells may pre-order it will not be a walk-gallop "- he explained." It comes with it, like football, everyone knows how to do it. "However Mr. Robert said he does not fight, he does not fight the culture, he only performs its job. Anyway, I feel that the opposing parties now can not even talk to each other, because "everyone is anxious, all grievances are."

When asked whether the views of Vidnyánszky really has a certain political defined audience of the theater, Mr. RObert said leading art institutions, non-policies, so it is not looking to them for what their political-going audience.

As a reaction to the days of great interest due to the collapse of the theater ticket system, and long queues at the Andrassy Avenue, said: Thank you for your patience and perseverance. "The

People storm us and want to see everything. Theatre would like to see, people do not come to theater to demonstrate their political resistant "- he added.

Source

Attila Vidnyánszky asks: Do not direct Mephisto

’Robert Alföldi’s National Theatre is liberal’

31st of January 2013

The end of February, the National Theatre future director Vidnyánszky Attila met all the artists of the, who in online edition of The People's Voice interview also talked about that the other actors are called to Debrecen in the national, has been said to be there. He also requested that the season is scheduled for the end of Mephisto's lecture is not to be born.

Vidnyánszky calls for the show in May, Mephisto has been designed not to draw, because several players indicated that you do not want to stay in the Nation Theatre, but it will not be able to play the show. "Before you attack me, indicate that: this kind of rational reasons to leave you at the time of presentation of two Tamás Jordán, to facilitate the transition of Alföldi" - said Attila Vidnyánszky.

He spoke about that Tamás Ascher, and Zsámbék Gábor, Gábor Szekely are invited to direct in the National Theatre, but did not undertake the work, said it was not clear denial, but rather a kind of prudence, which respects, the story is not finished. 

Attila Vidnyánszky considered: Robert Alföldi’s liberal National Theatre thoughts focused on theater, the audience also made a political demonstration, which is not primarily have to do with the quality of the performances.

The Director - line lectures for those that have not been seen before - you will find: in the National Theatre, there are better and worse performances, but feel that they are not any significant change in proportion than what the critics advertise. He spoke well: he will also be expected to present a professional troupe members a range of belief that superior talent. But you may be excluded from national, the industry will be to price them - he added.

The Secretary of State, previously mentioned in an interview that the Pesti Magyar Színház possibly amalgamation of the National Theatre of service. "An independent, national youth theater I can see the justification status, do not know how healthy it would be to link the Nation With its" - said the issue Vidnyánszky Attila.

He said: in reality there is no suggestion that he would Tamás Ascher, the Theatre of the University Rector's successor will soon be retiring. Whether to retain the leadership of Kaposvár University Theatre Institution, said two similar types of waste to maintain a course of study. If the changes in Kaposvár training so that complex classes are created, learned together with set designer, playwright and actor, it makes sense, its role is still in question.

About the Presidence of Magyar Teátrumi Társaság Vidnyánszky Attila said: election of officers held a general meeting in the spring, I think there will be changes in relation to the person.

Source

Not this way, please...

Fifteen million people's theatre

24th Januray 2013

Fifteen million people's theatre will be led by Attila Vidnyánszky if he adheres to his word.

Boróka Parászka's writing.

There is a serious illness in every side of policy: sensationalizing by numbers, arithmetic extension or narrowing of the nation. Keeping track of who is part of the nation and who is not - is not feasible because it costs more than millions. Strategic question: who is hungarian and who is not in Hungary nowadays. This aspiration can be seen in Transylvania but can not be understood and liveable. A politically narrow-minded prime minister or an under-educated politician can afford a number of war but not a theatre director with cultural performance. Not, because national culture, theatrical culture and national-theatrical culture do not work this way. Limits are much more fluid, possibilities are much wider. This would be enoug if a theatre would be the leading theatre of Hungary which could represent hungarian culture for many million people from middle-Eastern Europe. It would be important to pay attention to Budapest from Bukarest and Bratislava. This a success which the hungarian diplomacy has been unable to do for many years. Attractive idea that Attila Vidnyánszky described earlier: every third performance in National Theatre will be played countryside or beyond the borders. But we have to add (from beyond the borders) neither the countryside nor the border is not self-value. It is very insulting to be the part of the quote and become an alibi. What does the 'cross-border' theatre want to see, want to let be seen and how? Do they see where are the boundaries and connections of hungarian theatre at all? These are the questions which are not answered by Attila Vidnyánszky who talks about and refers to 'cross-border'. 

The theatre has been looking for the borders and border crossings in Transylvania. They live on it. How could a fifteen million people's theatre deal with Transylvanian Hungarian contemporary culture which does not forget - because they must not - forget about many million Romanian people's culture. The hungarian theatrical life is much more intertwined than it could be disassembled or separated or closed into ghetto. Actors and directors are coming and leaving. They rather come (here to Romania) than they go (there to Hungary). The number of cultural and professional refugees is increasing. Artists from Budapest are much more accessible and affordable than people from Bucharest. There we are Hungarian theatre has to move to (by force) to Romania and not a Romanian Hungarian person is entertained, brought to Budapest. This is a kind of situation which Attila Vidnyánszky has to explain now. Why do they flee, from who do they flee who flee. What does Attila Vidnyánszky do for stopping this preventing the run-off and drop-out to create a new, viable Middle-East European infrastructure? 

What Attila did until this time, his program, his ideas are not attractive and credible. Attila Vidnyánszky was appointed ignoring the opinion of cross-border profession. Despite the new director promised to change the program and enrich the repertoire with rural and cross-border productions he went against them. Well, no wonder that more and more people lined up behind Robert Alföldi: the kind of contemorary culture which is mentioned by many people is strategically important to keep hungarian theatre and it is close to the attitude of the leaving director. We know other way is also possible not sure that it is worth to mention.

In the spirit of national unity the kind of cross-border knowledge is neglected. It can be neglected. It is the logic of power. But they ought to account for why at least culturally. To sign that Attila Vidnyánszky recognized the resolutions, understood the arguements and he will form his strategy aware of this. He opens but does not close. Just to avoid saying contradictions when he explains his appointment as the success of cross-border acting.

If everything continues as before, the distances are going to increase,conflicts are going to deepen, the hungarian theatrical profession is going to be separated internationally. (From outside this 'provincialisation' is very striking and depressing.) Then there will be guest performances in Budapest vainly, the National Theatre's production will travel vainly. There will be not more than national 'navel watching'. 'Cross-borderity' will not be more than an uncomfortable and annoying punch for us which the current director will exploit and abuse.

And if this continues further it also happens that 'otherwise rage coming'. An alternative National Theatre outside the country can be a salvage to hungarian culture. And they will do what here we could not do. Here where there is not sufficient will, knowledge and professional honesty.

writer: Boróka Parászka 

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Árpád Schilling: ’ Attila Vidnyánszky’s pendulum breaks the clock

11 th January 2013

Recently one of his writing appeared - titled What politics! - in Élet is Irodalom. The founder of Krétakör called the artist-staff to take the responsibility as a public figure, openly tell their opinions. 168 óra asked him about this. 

’It is terrible when someone is in real danger, lets say, can lose his/her job if broaches some scandal. The person who refers to his/her family just to exempt from telling opinion is a coward’ - said Árpád Schilling who thinks ’struck each other’s hands’ system could work well.

For the question - Does he know that he agrees with Attila Vidnyánszky? (according to him now the pendulum swings the other way) - answered: ’ ATTILA VIDNYÁNSZKY’S PENDULUM BREAKS THE CLOCK. However there have always been people in the theatre who - aside professionalism - compromise with some  cases. Background bargaining obstructs the open-response to this obvious turpitude and to Attila Vidnyánszky’s dazzle. What he has done in the past two years is an insanity. Attila Vidnyánszky - just like György Fekete and Imre Kerényi - an injured ego. From this private problem Viktor Orbán creates a public matter that gives unlimited power to Attila Vidnyánszky - said Árpád Schilling who reported he will never forget that Attila Vidnyánszky was banging  on  the table and drawed an imaginary line between the Magyar Teátriumi Társaság and other organizations when professional organizations negotiated about the composition of NKA előadó-művészeti kuratórium. Attila Vidnyánszky said: ’There you are’, ’here we are’ and you could rejoice that you can appoint a curator.

Attila Vidnyánszky behaves like a curator chief: distributes favors.  Just like György Fekete did - added Árpád Schilling according to who György Fekete and his mates’ taste can be the State cultural policy compass. Sane person cannot leave this.

’I have an interest to form a fair competition in this country where knowledge is important not the connection. I am obliged to take part in a competition. I can prove that culture interests me. I must apply, otherwise it will be said rightly: Schilling criticize from the outside, without responsibility, and stay passive. It is my job to shake the bell if I notice dirty. My friends, do not let this, it will be a midden!’ - stated Árpád Schilling.   

Source

Go or stay? - Zsolt László about the National Theatre

8 th January 2013

Zsolt László answered the question to Presszó Nol. 

Does he stay in the National Theatre after Robert Alföldi leaves? What does he consider the greatest cultural loss in 2012? Does the teenage stuttering return? Presszó Nol discusses with Zsolt László in the Cafe Mozsár.

’ I had a few sleepless nights because of the shift. 90 percent I go. I met with Attila Vidnyánszky in 2002 and I have to say I became the member of National Theatre due to him. At that time György Schwajda called to play in the Tempest (Shakespeare) but I refused to go. Later Attila Vidnyánszky called me to play in Bánk Bán, one hand because of him, one hand because of the role I said yes. That is the way I got there. When Tamás Jordán’s tender expired Attila Vidnyánszky and István Márta applied for. If they had won then it would be less painful that he gives his name to the desctruction of a community. A question arises in me: whether how can somebody assist in this? Resume the video. 

Video

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’I will be free’ - János Kulka about the National Theatre’s competition

26 th of December 2012

Even  If Attila Vidnyánszky asked him to stay he would not say yes because of the political circus behind the decision told János Kulka HVG.

For he question - how the society feels - he answered: ’ I feel some strange confusion and sadness. It was painful to lose Frigyes Hollósi (Frigyes Hollósi - editor). It was an emptiness as if the theater’s heart had ceased to beat. It is difficult now. Losses, that cannot be processed. That day we performed Angels in America, at the end 600 people standing and applausing tearfully. This was a kind of special experience, a rare theatrical moment. Obviously it was the celebration of Mr. Alföldi, a kind of farewell from Society, acknowledgement of the last five years” - said the actor regrets the loss of the society the best, he thinks, it is rare that such a loving community can form. 

He also told what his first thought was when the results were made public: ’ I will be free. I hardly cannot stand any commitment, if I have to do something despite my will or taste. All my life I was so lucky to do something because it makes me happy or I believe in. I have been the member of National Theatre for ten years. I played a lot in the last two years so much that I feel it I do not have strength enough’ - told the actor according to who there is no problem with the artistic qualities of Attila Vidnyánszky but he thinks things would have been more straightforward if to  appoint Attila Vidnyánszky. ’It  is hard for me to understand why Attila Vidnyánszky accepts such jury. Moreover I do not understand they need a Ministerial Commisioner for the remaining months. Perhaps they have no other choice or they feel they have to be loyal. It is strange that this accepted loyalty supersedes all artistic aspects. I do not think that Viktor Orbán expects jury to vote for Attila Vidnyánszky but who vote think: they are expected to do it. The tragedy of modern Hungary is the alignment’ - said János Kulka.

The most important thing is to extricate myself under happenings. I do not want to be an old man who fears the fate and the losing of certain position. Underneath I am free. Just the freedom is important that represents a certain point in my life’ - said the actor.

Source

Consultation with National Theatre about its case

10 th of Januar 2013

Robert Alföldi and Attila Vidnyánszky were invited to a consultation by the Minister of Humán Erőforrás in 10th January. At the meeting the ministers agreed about the responsibility of the Ministerial Commisioner who is appointed from 15th January.

Robert Alföldi met Attila Vidnyánszky because of the leading change. They want it to happen peacefully and fluently - said the Human  Resources Department (Emmi) Press and Department of Communications.

According to the ministry's announcement Robert Alföldi commited to use the pro-rata portion of budget including corporate tax incentive. At the meeting they agreed on the responsibilities of Ministerial Commisioner whose work is to help the handover-takeover procedure and the preparation of theatre season of 2013 and 2014. Péter Fekete (Ministerial Commisioner) will be appointed by the Human Resources from 15th January, his remuneration is delivered by the ministry. The National Theatre help creating working conditions - can be read in the statement.

According to the plan of ministerial instruction the Commisioner will help the cooperation of CEO, particularly regard the hadover-takeover procedure, he cooperates with the Supervisory Commitee. He monitors the current diretor's mandate beyond contracts, commitments particularly regarding the extension of expiring contracts and prepare for the new season of theatre (2013, 2014) cooperating with the director.

The minister of Human Resources controlls and State Secretary Cabinet Secretariat helps Péter Fekete's activities which the Ministerial Commisioner makes a report till 30 June about and give it to the Minister. The Commissioner Deputy Secretary of State is eligible for sufficient amount of remuneration and salary benefits, which Emmi provides.

The minister appointed Mr. Attila (the head of Csokonai Theatre) in December to be the head of National Theatre whose mandate keeps 5 years. 

Source 

Judit Csáky about the National Theatre: When will be light in this country?

23 th of December 2012

The new - that Attila Vidnyánszky became the head of National Theatre - was commented by Judit Csáky (critis and the colleague of Attila Vidnyánszky) in the Radio Club. 

Critics said there was nothing surprising in that Vidnyánszky became the head of National Theatre.  "He could not have been applied for, if the post is not promised him a hundred thousand percent. (...) There was a very interesting part of the announcement is that the handover-takeover will be conducted by Peter Fekete (Jókai Theatre of Békéscsaba's director) and not by Robert Alföldi and Mr. Attila. This is a very cynical, aggressive knack, I think, not only by Vidnyánszky, but also by the government. It also raises legal issues, "- said Judit Csáky, who also spoke about that István Pálffy (representative from KDNP) may be new Press Agent of Mr. Attila.

Vidnyánszky Attila - instead of trying to facilitate the situation by trying to make a normal theatre, bury the trenches, rise above politics - he makes the Theatre the part of a political campaign arm in arm with István Pálffy. What the hell want István Pálffy do as a Communication Director, I beg you. To be a media worker (who work nearby the theatre) is an extremely sensitive, very important and very particular job - said the critics.

Judit Csáky also spoke about that the János Vitéz (an opus of Sándor Petőfi) will be the premier show in National Theatre. " If I am kind - and I am inclined to be - I say it is nonsense. Childish nonsense to say that this is a very successful show Mr Robert did, nevertheless I will show you the best. This adequate reaction is called:age defiance. Anyway, if I'm not so benign, then I say this is part of a political campaign, "- said only Judit, who thinks the communication will not as be easy as Mr. Attila's ' the great successful story of Debrecen communication.'"

Mr. Attila dug himself into a political battle the lines behind and he changed it into a political fight. He made same with founding the Teátrum Társaság which has been filled with money since which has been applauded by cultural leadership.The real curse of the Hungarian theater profession is that two groups were separated: Right and Left and the politicians associated with this. These politicians phenyl theire teeth for the next Theaters led by Attila Vidnyánszky. Well, when are we going to wake up? When is Attila Vidnyánszky going to wake up? - asked Judit Csáky.

Source

Margareth Törőcsik: I am 80 years old and I was desecrated

19th of December 2012

Margareth Törőcsik felt sore about that false news appeared about who she voted for. As she said, she voted for Robert Alföldi.

Margareth Törőcsik voted for both Attila Vidnyánszky and Robert Alföldi – this kind of false new spread. ‘This is a lie’ – said the Actor of Nation, when magazine Bors asked her. She was one of the member in technical Commitee.

She was so upset that her husband talked instead of her in the phone. Julius Maár said: ‘My wife was indisposed by the news but it does not change the facts: she acknowledve Attila Vidnyánszky’s merit, his ability in directing but I emphasize: I voted for Robert Alföldi!’

Margareth Törőcsik added: ‘ I would like to strongly tell that earlier I worked with Mr Attila. His competition was fine, but specifically it is not about who I love. I voted for Robert Alföldi on behalf on company, as a representative. I am 80 years old, and desecrated.’ – said the Actor of Nation, who is actually 77 years old.

As she said she was forced to sign a confidentiality agreement regarding the voting.

Foto: Stiller Ákos
Source

Attila Vidnyánszky will be the new director of National Theatre

17th of December 2012

Zoltán Balog – the minister of Emberi Erőforrások – appoints Attila Vidnyánszky to be the director of National Theatre. The technical Commitee (the commentors of competitions) agreed with this decision. Attila will be the head of Theatre officially From 1st of July 2013 to 30th of June 2018.

Announcement. Since the mandate of Nemzeti Színház Kiemelkedően Közhasznú Nonprofit Ltd.’ director will be expired in 30th of June, the Feuilleton advertised a vacancy for the autumn in terms of the law. Altogether four people competed for the competition for the deadline. Only Robert Alföldi and Attila Vidnyánszky’s competition filled requirements. The employer’s discretion asked a tehnical Commitee to express an opinion in writing on the competition. Robert Alföldi and Vidnyánszky were ordered to be heard then by the members of the technical Commitee. Based on these, Attila Vidnyánszky were chosen to be the head of the Theatre. According to one of the members the National Theatre is not just a theatre but an institution which has to represent national value.

Attila Vidnyánszky is the one who stand fully all demands. The audience had the possibility to get acquainted with the theatre led by Robert Alföldi. Next, the chance has to be given for others to carry out theire ideas. on the basis Attila Vidnyánszky’s achievements it is obvious that he is capable of leading a theatre.

Foto: Gergely Botár 
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